“Sunday afternoon, Hampson brought a sampling from the spectrum of American song and a major vocal-orchestral work by John Adams to the New World Center in Miami Beach . . . He opened with My Days Have Been So Wondrous Free . . . In superb form, Hampson’s warm, resonant baritone and innate feeling for the idiom were entrancing. With the audience in the palm of his hand, he launched into a rousing version of The Dodger from Aaron Copland’s 1950 collection of Old American Songs . . . In Flanders Fieldcontrasts the once beautiful poppy fields with the multitudinous crosses of the dead. Hampson’s superbly clear diction, attention to dynamics and impassioned advocacy mirrored the songs’ uneasy contrast of patriotism and tragedy.
Following intermission, Hampson was joined by conductor Michael Tilson Thomas and members of the New World Symphony for Adams’ The Wound Dresser . . . Now stentorian, then dulcet, Hampson imbued Whitman’s imagery and the lyrical vocal writing with understated emotion. His voicing of Come sweet death, come quickly was chilling.”
Lawrence Budmen – South Florida Classical Review