Hampson returns to the Dresden State Opera as Mandryka in Strauss’ Arabella (November 7 & 10) and is joined by Anja Harteros in the title role. Christian Thielemann conducts the Sächsische Staatskapelle Dresden. Photo: Unitel/Roman Zach-Kiesling

NOTTURNO. "This may be one of the finest recordings in the extensive discography of Thomas Hampson, and anyone with even a passing interest in Strauss's songs should consider adding this to their collection, no matter what other treasures might already be there." - Fanfare

Thomas Hampson - Liebst du um Schönheit. Gespräche mit Clemens Prokop. Erhältlich im Henschel Verlag.

SIMON BOCCANEGRA - available now.

TThomas Hampson Enters Gramophone's “Hall of Fame”

Thinkers and Doers: the American Academy of Arts and Sciences

America’s Leading Baritone and Ambassador of Song Bows on Stages from Akron to Vienna.

“Christmas at Downton Abbey” Album

November 27, 2014

Thomas Hampson’s rendition of “Go, Tell It on the Mountain” is featured on a special “Christmas at Downton Abbey” album, now available via Amazon and iTunes. This recording has tracks sung by members of the Downton Abbey cast, festive versions of the show’s theme, and carols performed by well-known choirs and singers including Dame Kiri Te Kanawa and the Choir of King’s College Cambridge. The CD is listed as one of NPR’s four “holiday goodies” to purchase this season.

For a complete album highlighting Mr. Hampson’s performances of classic holiday songs, check out “Christmas with Thomas Hampson” with The Saint Paul Chamber Orchestra and conductor Hugh Wolff, on Teldec Classics (available on Amazon). This album features 21 traditional Christmas songs, including English and German selections.

A “standout” performance in Verdi’s Un Ballo in Maschera

October 8, 2014

Thomas Hampson is garnering spectacular reviews for his portrayal of Count Anckarström in Verdi’s Un Ballo in Maschera at San Francisco Opera. This is Hampson’s second Verdi role at SFO, following a star turn in title role of Macbeth in 2007. See what critics have to say about this not-to-be-missed performance:

“ . . . baritone Thomas Hampson’s portrayal of Anckarström emerged as the strongest character. The intensity of his voice depicted a man who clearly enjoyed his position of power.”
Stephen Smoliar – Examiner.com

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Thomas Hampson’s 2014/15 season

September 1, 2014

Thomas Hampson’s 2014/15 season features reprisals of his best-known roles, several debuts, international concert, recital, and festival engagements, master classes, and a new radio series produced by the Hampsong Foundation.

Following summer performances as Scarpia in Tosca at the Vienna State Opera, galas in Baden-Baden, Essen, Paris and Gstaad, and recital and concert engagements in Washington D.C., Minnesota, Boston, at Tanglewood, Munich, and Salzburg, Mr. Hampson returns to the operatic stage in the fall, revisiting signature roles including Scarpia at the Bavarian State Opera (September 20, 24 & 27), and Renato in Verdi’s Un ballo in maschera at San Francisco Opera (October 4, 10, 13, 16 & 19). Hampson returns to the Dresden State Opera as Mandryka in Strauss’ Arabella (November 7 & 10) and is joined by Renée Fleming in the title role, reprising their acclaimed partnership from last season at the Salzburg Easter Festival.

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“The Star-Spangled Banner” 200th Birthday Celebration

June 24, 2014

In celebration of the 200th birthday of “The Star-Spangled Banner,” Thomas Hampson will perform a special program titled ‘Poets and Patriotism’ for an audience of educators at the Library of Congress in Washington D.C. on Thursday, July 3 at 2pm, in Coolidge Auditorium. The program features American music from Colonial times to the present day, and also includes a symposium with scholars and Library of Congress staff, who will share rare documents from the Library’s collections.

No tickets are required for this performance, however seating is first-come, first-served.

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BBC HARDtalk - Thomas Hampson
Sarah Montague speaks to opera star Thomas Hampson who says the way to get people to love opera is to get them to understand it, and then it has the power to transform. If Hampson is right, could one of the most elite and expensive art forms have worldwide appeal?

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